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Inspired by the child poverty debate in the run up to the last general election, my screenplay includes several real life events woven into the story: the 2014 minor party leaders debate, the Hīkoi of protest to end child poverty and the presentation of a petition with fifteen thousand signatures to the government. Hīkoi becomes more relevant by the minute. Having read the script and heard Lean describe some of the key scenes, I am convinced that Nostromo is the greatest film never made. You see, I’m just beginning to think I might be getting the hang of filmmaking.’Īs his two Dickens adaptations Great Expectations and Oliver Twist testify, David Lean was the undisputed master of the literary adaption. As John Boorman was leaving, David Lean said: ‘I hope I get better and that I’m able to make Nostromo. They reminisced about their lives and their films. Fellow director John Boorman visited David Lean days before Lean’s death. Those closest to Lean felt the constant frustrations and disappointments hastened his death. The surviving screen tests show how brilliant Corraface would have been in this role. The most moving account of all came from Georges Corraface, who was set to play Nostromo. Lean’s widow Sandra, along with Steven Spielberg and others involved with the project, tell the heartbreaking story of endless delays and false starts. My excitement at getting hold of this DVD was tempered by sadness at how everything conspired to prevent David Lean from realising his dream. Lean believed it would be his defining work, the pinnacle of his career. I managed to track down a hard to find DVD of this Spanish made documentary about David Lean’s dying wish to make a screen adaptation of Joseph Conrad’s novel Nostromo. Hīkoi will remain as relevant as ever in a post Covid world. Inspired by the hīkoi against child poverty in Auckland in 2014, this hard-hitting drama sees a burnt-out social worker taking risks to help a single mother escape from loan sharks. With the industry getting back on its feet, I am renewing my efforts to find a production partner for Hīkoi. Many overseas production companies regard New Zealand as the safest place in the world to make a film. Regrettably, the Covid-19 pandemic has thwarted those plans and put the project on hold. It would have been particularly appropriate to shoot the film in New Zealand’s election year.įollowing positive reviews at the Emerging Writers and the Table Read My Screenplay festivals, I began negotiations with leading New Zealand production companies to bring the story to the screen. The issues of child poverty and homelessness are as relevant today as they were when I first wrote the screenplay in 2014. I had hoped my new film project Hīkoi would go into production this year. For our loyal fans, watch out for a book trailer made up of footage from the film trilogy and the release of a special director’s cut of the films to coincide with the launch of Gang Girl. To celebrate ten years of this remarkable journey, here are a collection of production stills. Walter ‘The Wiz’ Walsh became our casting director and the rest, as they say, is history. Local radio station Turanga FM saved the day running on casting calls, and we discovered the extraordinary depth of acting talent in Gisborne. Under pressure from their agents, one by one the lead members of our cast dropped out. We were about to start shooting when an industrial dispute regarding actors’ working conditions on The Hobbit hit the headlines. We’d assembled an ensemble cast of up and coming talent from various casting agencies, all of whom agreed to work for the experience instead of payment. A decade on and rebranded as Gang Girl, this iconic New Zealand story refuses to go away.īack in 2010, the project didn’t have the most auspicious start. It’s hard to believe ten years have passed since the cameras first rolled on Amiri & Aroha. A nice touch is the introduction of drag-and-drop grouping of tracks, with the resulting groups allowing you to show, hide, solo and mute bunches of tracks in one click. Less obvious workflow improvements include the faster redrawing of some graphical elements, new shortcuts that allow you to perform existing actions in fewer clicks, and new facilities, such as being able to save a duplicate project for archival, complete with copies of the audio files. The Warp Region function, which is used when you wish to manipulate the pitch, time and level of notes/phrases in an audio clip manually, has also received some useful upgrades. These include the provision of new APT algorithms specifically for musical material (the software has its origins in dialogue replacement for film and TV), and the ability to map the timing characteristics from a guide part (as before) but later pitch-correct the output from that APT process relative to a reference scale rather than the guide. There have also been improvements to the process Synchro Arts call Audio Performance Transfer, whereby RVP imposes the pitch, time and level of one part on to another. Steinberg have also announced plans to implement it in an update of Cubase Pro 10 (and presumably in Nuendo too, at some point). At the time of writing, this includes Studio One, Logic Pro and Cakewalk, and it's already in beta for Reaper. Headline improvements include an ARA2 plug-in, which enables deeper integration with any DAW that supports that format. The version I evaluated for this review was v4.0.0.26, and I'll refer to it from hereon as 'RVP4'. Until now, the biggest leaps in Revoice Pro's evolution occurred during versions 3.0 to 3.3, and if you want to find out about how this software works more generally, check out Sam Inglis' review of Revoice Pro 3 ( and my series of Revoice Pro 3.2 workshops ( Revoice Pro 4 is the most significant update in ages, and I'll focus in this review on what's new. While the asking price of Revoice Pro is not exactly trivial, it could earn its keep very quickly in a professional music-production or film/TV post-production setting, whereas serious hobbyists might find that it leaves them with less 'left-brain work' to do, and more time to focus on the music. Of course, there's nothing in Revoice Pro that can't be accomplished manually in any half-decent DAW, but doing so takes time and effort. Cakewalk has had a VocalSync function for a while, and a vocal time-alignment facility was added in Steinberg's Cubase Pro 10 however, although the latter is impressive for a bundled DAW feature, I've not typically managed to achieve the same quality of results using that as I've obtained using Revoice Pro. There are plenty of pitch- and time-correction processors, of course, but only a handful that can generate convincing fake double-tracked vocals, and even fewer programs that can impose the timing of one vocal part on to one or more others. Revoice Pro is one of those rare applications that's genuinely unique: no other software or hardware is capable of doing everything it can do. The latest version of Synchro Arts' Revoice Pro brings many new features, including improved algorithms and deeper DAW integration. Every legal Unicode character (except Null) may appear in an (1.1) XML document (while some are discouraged). 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While $69.99 is affordable for such a powerful editing program, not everyone can afford to shell out $69.99 in one go, especially given the cost-of-living crisis and the rise in food & utility costs over the last few years. There's also no option to pay for the license in monthly installments. However, there were 8 years between the 2014 V V2 release, with many updates in-between, so we think that $69.99 for potentially up to 8 years worth of the software is pretty good. The disadvantage with subscription-free software is that you only pay for that specific version of the software, so in this instance, when V3 eventually comes out, you will have to pay to upgrade to that version from V2. And, if you upgrade from V1, they’re also running an offer where you’ll get 25% off when you upgrade. 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To collapse the TreeView we click on the Collapse Tree button. the Windows Form is loaded, we have clicked on the Populate Treeview button and we have clicked on the plus sign next to the root level, we get the following output: Private Sub Button2_Click(ByVal sender As System.Object, _īyVal e As System.EventArgs) Handles Button2.Click Restrictions:=New Object() )įor CountColumns As Integer = 0 To - 1ĬhildName = SchemaColumn.Rows(index:=CountColumns)!COLUMN_NAME.ToStringĬhildnode = (key:="Column", text:=ChildName, _ Private Sub Button1_Click(ByVal sender As System.Object, _īyVal e As System.EventArgs) Handles Button1.Clickĭim cn As New OleDbConnection(connectionString:=Connection)Ĭn.GetOleDbSchemaTable(schema:=, _ Private Sub Form1_Load(ByVal sender As System.Object, _īyVal e As System.EventArgs) Handles MyBase.Load 'The name of the database in use which is used as the root name forĬonst Database As String = "NorthWind 2007" "Provider=.12.0 Data Source=C:\Northwind 2007.accdb" As the below code shows we create a node and we add the wanted data to the created node in one go. 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To grab the names for all the tables as well as columns from a MS Access database can also be tricky but again I hope that the following case will clear the mud so to speak.Īt present I work with a new coming add-in that will include an advanced report generator and to work with tables and columns in a database plays a critical role in that tool. To work with TreeView controls can initially be tricky to understand but I hope the case here will make it more understandable. One common task is to let an application scan disks for folders and files and then populate a TreeView control with the data in a hierarchical way. In the following example all the tables and their columns from a MS Access database will be added to a Treeview control. You need to pepper the code THROUGHOUT the process with appropriate ReportProgress() calls.Populating TreeViews controls with some data is a common task in various type of applications. Obviously that will update the progressbar completely BEFORE anything actually gets done. Where are you reporting progress?.your original code simply has a fixed loop: "the progress bar is not updated correctly, as the counter / ReportProgress() are not sync with the StartEngine() process" Remove that entry if you want to wire it manually in the Constructor (or remove the Constructor code and leave the entry). Select the BackgroundWorker() control on your form, click on the "Lightning Bolt" icon in the Properties Pane, and then scroll down to the DoWork() entry. You probably also have it wired up via the IDE. ork += new DoWorkEventHandler(backgro undWorker1 _DoWork) It's being wired up in your Constructor(): "We are hitting backgroundWorker1_DoWork() twice" I would start the background worker from the Shown() event: using System using using System.ComponentModel using System.Data using System.Drawing using System.Linq using System.Text using using System.Threading namespace WindowsFormsApplication1 Make sure you have that events wired up correctly either thru the IDE using the "lightning bolt" icon in the properties pane, or at run-time via code. Get a student or educator account- Although not free, you can get Photoshop CC at a greatly reduced price if you are a student or part of an educational institution.Follow them to stay informed about significant changes in the price of Adobe CC. Follow Adobe on social media- Often, Adobe offers discounts and special promotions through social media.Make use of the free trial period- Adobe offers a 7-day trial period during which you can use Creative Cloud completely for free.Despite this, there are different legal methods through which you can download Photoshop for free: How can I download Adobe Photoshop for free?Īdobe Photoshop CC is a paid program, and to enjoy it, you will need to make use of a monthly or annual subscription to the Creative Cloud service. It is clear and intuitive, divided into a central workspace window, a toolbar on the left side of the screen, an options window at the top, and a small section showing layers and masks on the right side of the screen. Interface: A smooth and carefully organized experienceĭespite having evolved over the years, the interface of Adobe Photoshop CC remains true to its structure, being easily accessible for those familiar with previous versions of the program. From it, it is possible to create designs, interfaces, and applications for any type of webpage in a matter of seconds. Web design- In addition to creating and retouching images, Adobe's software is also an essential tool for web designers.Drawing and illustration- The program includes all the necessary tools and brushes (in addition to being able to create your own) to shape any type of digital illustration from scratch. Creation of graphics and effects- Photoshop is the leading program for creating digital content, becoming the most used tool among professional graphic designers.Manipulation of photographs- As a digital composition tool, Photoshop allows for transforming and modifying elements of a photograph, adding all kinds of unique effects.Image editing, correction, and retouching- Photoshop CC allows for all kinds of basic edits (cropping, color adjustments, brightness, etc.) as well as correcting and retouching images (improving photos, smoothing skin, removing imperfections, etc.).Known as the industry's reference program, Photoshop is the most downloaded and used program when it comes to creating digital content. It is used in a wide variety of fields, becoming the standard software for graphic design, photo editing, and digital illustration. Photoshop is a well-known image and photo editing program developed by Adobe. Would you like to know why? What is Adobe Photoshop and what is it used for? Despite having a quite steep learning curve, Photoshop is presented as the industry standard compared to alternatives such as GIMP, Krita, CorelDraw, or the more recent Procreate. Developed by Adobe and integrated within the Creative Cloud suite, Photoshop is a powerful tool to enhance, edit, and manipulate any image with amazing results. Dinkar Kamat Updated 2 months ago The market-leading image and photo editorĪdobe Photoshop CC is the image editing software market reference, becoming an essential tool for professionals and enthusiasts in the world of digital photography. |
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